Another repost from the always insightful History is Made at Night blog. Promised Land Last week in Iowa, Michele Bachmann launched her bid to become the Republican candidate in the next US presidential election. On the Tea Party far right of American politics, she has a long, lamentable history of anti-gay and anti-abortion activism not to [...]
Short Takes: “Jackie Wilson’s Melisma – 20 notes for the word ‘for’” (from History is Made at Night)
Final repost (for now) from the always insightful History is Made at Night blog. Jackie Wilson’s Melisma – 20 notes for the word ‘for’ ‘The extent to which the music is integrated with the literal meaning in soul is apparent in some of its basic stylistic conventions, the call and response structure, for instance, where a [...]
Short Takes:”Dancing in the Dark – Bert Williams” (from History is Made at Night)
Second in a series of reposts from the always insightful History is Made at Night blog. This entry deals with one of my abiding interests as a scholar, how boundaries of race are maintained, negotiated and challenged in popular culture. It also highlights the power of a “fictional” writing approach to capture the truth of a [...]
Blues Singer Petite Swanson — Crossing the Gender Line in 1940s Chicago
One of my research interests is the largely forgotten history of transgendered performers in American popular music. I thank Ray Astbury for bringing Petite Swanson to my attention, a blues singer in Chicago who recorded four sides for the Sunbeam record company in 1947 (Billboard reported her signing by Sunbeam in March 1947). At the time, Swanson [...]
Sissy Bounce — an anomaly or just another transgendered musical tradition
Unexpectedly, when I was doing research on the history of a former blues nightclub district in North Richmond, California, I stumbled upon a facet of that history I had not anticipated: the participant of cross-gendered performers and club-goers. And, in mainstream venues. It flew in the face of all my presumptions of the role of [...]
Reimagining the classics — Turtle Island String Quartet does Hendrix
After being exposed to Brian Wilson Reimagines Gershwin — a piteous collection of pop dreck — I reluctantly turned my attention to the Turtle Island String Quartet’s Have you ever been…? While the latter’s set of Hendrix covers has not received the level of acclaim that Wilson’s butchering of the songs of the Gershwin [...]
Breaking down racial barriers: the “new” folk revival
I’ve written several pieces on what is often described as an ongoing revival of American traditional music (listed below with links). A piece on NPR today and in the N.Y. Times earlier this week on Southern California’s Frank Fairfield brought the subject back to mind. While you (or I) may argue with the assertion that [...]
Taking the ngoni into new musical territory
Working on a couple of posts but still too busy to put much time into it. In the meantime, here’s a repost of a Jon Pareles piece (N.Y. Times) on how Bassekou Kouyati has revolutionized the use of the ngnoi but first here’s a YouTube video of Kouyati with another “revolutionary” who has taken the [...]
A history of jazz & country interchange
Histories of American popular music have tended to create a clear bifurcation of “White” and “Black” musical genres. Country music has been portrayed as a genre primarily drawn from Anglo-Scottish roots. The significant influences of African Americans on the genre have been diminished or placed in a carefully constructed pre-history. African American musical genres have [...]
