Musical careers launched in Second Life

“If I could get some bubbles, I’d be forever indebted,” singer Craig Lyons tells the packed house at his Monday night gig. The crowd promptly complies, filling the room with bubbles while Lyons plays his tune “Under Water.”

Two nights earlier, the audience made it snow as he strummed the chords to his song “Winter.” Strangely enough, the Los Angeles-based singer-songwriter has come to expect this type of supernatural behavior at his shows, which take place several times a week in Second Life, the virtual online world that allows users to interact with one another as avatars.

Despite declining media coverage after a few years of overexposure, Second Life lives on, and within its virtual borders a music scene has been thriving, with independent artists such as Lyons leading the charge. These artists are earning livings, promoting their music and supporting causes they believe in by performing in this virtual space, which has approximately 1 million users each month.

A fascinating article from Laura Ferreiro in the L.A. Times – Second Life’s thriving music scene — brought my attention to something I knew existed, Second Life (a virtual community where you can create a second life as an avatar) but had dismissed as trivial and as pitiful a way to spend your time as Dungeons and Dragons and other role-playing games that I thought had run their course and disappeared. They haven’t and Second Life seems like role-playing with balls (and all the other virtual viscera an avatar needs).

What I had no idea about was the music scene in Second Life. A few major acts have performed there, including Ben Folds and Suzanne Vega, but what is more astounding is that artists, such as singer-songwriter Craig Lyons have begun a career there that has taken them into non-avatar-driven virtual spaces and even non-virtual space. Fascinating!

Transgressive Women from Myth and Fairy-tale: Tales from the Velvet Chamber

Guest Post by LA Slugocki

Greek Goddess Athena

I am the project editor/writer for Tales from the Velvet Chamber: An Anthology of Revisioned  Fairy-tales and Myth, A Call for Writers. The inspiration for this book comes from many different places — I’ll start with The Mists of Avalon by Marion Zimmer Bradley. For those who haven’t read the book, Ms. Zimmer took a classic text, the story of King Arthur and the Holy Grail, and foregrounded the women, the witches and the queens.  Suddenly, Morgaine, who heretofore, had been a very, very bad girl, became luscious and powerful, dark and sexy.

I decided I wanted to do the same for Mary Magdalene. Why not? If a text as stable and universal as King Arthur could be revisioned, why couldn’t I re-write the most infamous whore in the Bible? My Mary was wise, strong, a cohort of Jesus Christ, and his lover. This was the start of The Erotica Project, co-authored with Erin Cressida Wilson, which mapped the subterranean depths of female sexuality and produced on WBAI (Winner of the 1999 NFCB Award), and Off Broadway at The Public Theatre, as well as in San Francisco, Seattle and London. The full text is published by Cleis Press.

I also discovered The Gnostic Gospels by Elaine Pagels of Princeton University.  Amazingly, the earliest story Mary Magdalene in Christianity is very similar to mine; she was the “one who knows the all.”  Certainly not the penitent harlot in the Old Testament.  Following this thread, as an MA student at New York University, I continued to investigate and interrogate feminine archetypes; the good, the bad and the ugly. I discovered that classical literature, myth and fairy-tale tell one monolithic story. The Velvet Chamber wants many different voices. The Velvet Chamber wants the old stories to come out of hiding; the folktales, the oral tradition. These fables are bloody, sexy, and transgressive. They’re far more complex, darker, and psychologically dense.

Finally, Quentin Tarantino is a personal hero. I love his mash-up of anime, mangaka and spaghetti westerns in Kill Bill.  His Bride is a mythical protagonist who doesn’t give a shit about finding her man. This bitch is out for revenge.  The Velvet Chamber welcomes mash-ups, flash fiction, mangaka, as well as speculative, post-apocalyptic, classical and mythical interpretations— whatever the style or genre, we begin to see female archetypes through another lens. With a different narrative.  Medea is a priestess and a murderer, but we haven’t really heard that story.  Ashputtel, the original version of Cinderella, is a filthy, bloody little girl, but on Broadway, she’s a princess.

Please visit, http://talesfromthevelvetchamber.blogspot.com for more information.

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